August 2020 - Books of the Month

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The BooksForTopics October Top Picks

We've picked five of our favourite new children's books this month. 

The Night Bus Hero

Onjali Q. Rauf

A wonderfully heartfelt story filled with nuance, empathy and hope from award-winning author Onjali Rauf. This story highlights the topic of homelessness and explores the spectrum of attitudes that people hold towards homeless people, as well as exposing a number of common prejudices.


Hector is a troubled young boy - labelled as a bully and a menace, he is stuck in an endless cycle of rule breaking and serving detentions under teachers who tell him how troublesome he is. Hector’s parents have little time to pay him attention after school -  in fact the only attention that really feeds him is the incitement of his two friends, who cheer him on as he makes school life miserable for others.


Looking for a new way to impress his friends, Hector sets his sights on a homeless man who is often found sitting on a bench in the nearby park. Spotting an easy win, Hector hijacks the man’s trolley of possessions and aims to hide it in the trees. Something goes awry, and when the trolley ends up at the bottom of a lake the repercussions of his actions hit Hector in surprising ways that threaten to bring him into greater trouble than ever. Annoyed, Hector waits until opportunity arises and ramps up his plan to get revenge on the homeless man.


In the mean time, an intriguing spate of robberies in central London have brought the homeless community into public scrutiny. As a number of threads weave together, Hector finds himself wrapped up in a crime-busting mystery as well as unwittingly embarking upon a journey of personal change that enables him to better see the world through the eyes of others. Each character he meets helps him to see the value in real human connection beyond labels. There’s Thomas, the homeless man with a heartbreaking background story; the Catwoman, who demonstrated to Hector the value of community connection and collaboration; and Mei-Li, Hector’s classmate who shows him what it means to treat others with a grace and respect that breaks barriers and brings about the treasure of moving beyond surface appearances. Before he knows it, Hector finds himself the hero of his own story for the first time ever - both for the exciting and dangerous part he plays in busting a high profile criminal pursuit but also for his own personal journey of compassion and learning to reach out to others.


Onjali Rauf’s beautifully relatable storytelling is perfect for highlighting social issues in a way that fully engages young readers. The community of homeless people is portrayed vividly and intriguingly - from the sounds and smells of the soup kitchen to the night bus route to the system of painted symbols, their world is painted with dignity and compassion. As with her previous novels, Onjali Rauf addresses important ‘real-world’ topics with open-heartedness and the sense of triumph in knowing that big changes can start with small people.

The Britannica All New Children’s Encyclopedia

Various writers, ed. Christopher Lloyd & J.E. Luebering

Many us of will remember the joy of browsing through encyclopedias as a child - whether a physical volume like my own well-thumbed children's illustrated DK encyclopedia or, for a certain generation, the fun of clicking through a curiosity-led trail of articles on the Encarta CD-ROM. We might wonder whether such books are obsolete in the age of Google and Wikipedia, but The Britannica All New Children’s Encyclopedia has arrived in style to bust that myth.


The Britannica All New Children’s Encyclopedia is an illustrated, 416-page compendium brought about as a partnership between Christopher Lloyd at What on Earth Books and Encyclopædia Britannica. This encyclopedia steps away from the traditional A-Z organisation of topics and instead is structured into eight chapters; Universe, Earth, Matter, Life, Humans, Ancient & Medieval Times, Modern Times, and Today & Tomorrow. The subtitle of the book is 'What We Know & What We Don't', which sits the reader in the position of a co-quester for knowledge as the eight big topics are explored, acknowledging (in fact, enjoying) the space left for questioning, wondering and gazing into the unknown. In his introduction, Christopher Lloyd says, 'The more I realized what I didn't know, the more excited I became about discovering new thing I have learned in all my research is that each answer leads to a series of new questions.' In doing so, Lloyd sets the tone for the rest of the volume, exploring a host of topics through information that is 'known' and introducing related questions and mysteries as 'known unknowns'.


The first chapter - The Universe - covers all things space related. Diagrams, photographs, fact boxes and paragraphs of text invite readers to dip in and out of a whizz around the universe, pausing to marvel at black holes, become intrigued by the Kuiper Belt, run their finger down a list of space probes or ponder at the known unknown about dark energy and whether there will be an 'Earth 2.0'. The section finishes with a quiz and an 'ask the experts' feature, which gives a trusted seal to the information as well as introducing a range of associated jobs. Further chapters follow the same structure, although many readers will no doubt open the heavy, hardback volume on a random page and begin their own curiosity trail that way, enjoying the variety of format and presentation as they roam.

This is a highly recommendable gift for children and an essential for KS2 classrooms or primary school libraries. While it may initially appeal as a fact-finder or a reference book, it will quickly charm its readers into enjoying the quest for knowledge as a pleasure pursuit and will become a popular choice for browsing, flicking through, dipping into and pondering deeply at knowns and known unknowns alike.

Delightfully Different Fairy Tales

Lynn Roberts-Maloney & David Roberts

This is a wonderful collection of three classic fairy tales (Cinderella, Rapunzel and Sleeping Beauty), lovingly retold by Lynn Roberts-Maloney and fantastically reimagined by David Roberts' illustrations.


Cinderella is set in a 1920s/30s world, full of art deco style and carefully-researched tributes to the era throughout the illustrations. Her horse and carriage gets updated to a sort of Rolls Royce Phantom and the dishes that she labours over have a very Clarice Cliff feel, for example. Setting the tale in this period is a masterstroke, as the period was full of decadence for the likes of a prince. There are slight changes to the plot but it is still pretty true to the well-known versions, overall.

Rapunzel is given a 1970s remake. In a decade of long hair and rock and roll, her tower is a tower block with a broken lift and her Prince is a lead singer in a band. Music is a recurring theme and that 70s youth culture pervades. As in all three stories, the female lead is refreshingly empowered and takes her fate in her own hands.

For me, Sleeping Beauty is the pick of the bunch. Here, the illustrations are closer to the style of the recent Iggy Peck, Ava Twist and Rosie Revere books, for which David Roberts is most familiar. The twist is a bigger one this time with no prince at all and a leap into the future. There's still a happy ending and a truly satisfying one at that. As with the other two tales, it invites comparisons and re-readings of more traditional versions and would be a worthy addition to a unit of work on fairy tales in class.

A Story About Afiya

James Berry & Anna Cunha

Afiya has fine black skin, big brown eyes and a white cotton dress. She wears this dress every day and washes it at night so that it's ready for the morning. A Story About Afiya depicts the almost magical experiences that a beloved item of clothing brings to its young owner. In this beautiful picture book, the title character’s white dress becomes a canvas for the experiences that she has each day. Glorious sunflowers, delicate butterflies and fierce tigers all become imprinted onto her dress.


The words by celebrated Jamaican poet James Berry OBE are a celebration of childhood and memory. Afiya's dress collects the natural wonders that she sees and passes each day- flowers, fish, stones. It encourages children to think about what amazing features of the natural world they would collect if they had clothing like Afiya. This could be used to inspire nature walks, sketchbook work and descriptive poetry so that the children can capture their favourite aspects of nature as Afiya’s dress does.

Anna Cunha’s artwork reflects the focus on colour and pattern within Berry’s poetic writing. The soft pastel background creates a magical almost wistful atmosphere, perfect to showcase the passing of days as shown by the images on Afiya’s dress. There is much to inspire focused art lessons in this book. Anna Cunha uses pattern beautifully, capturing pigeons in flying formation, stretches of fish-filled sea, falling Autumn leaves and piles of towering boulders. Pupils could explore using repeated shapes and colours through printmaking.


A Story About Afiya is a beautiful book about the wonder and magic of noticing and celebrating what we find around us. The gentle use of magic realism helps readers to identify what is magical and special about their own natural surroundings.

The Castle of Tangled Magic

Sophie Anderson & Saara Sodurlund

This much-anticipated third novel by Sophie Anderson is a triumph, standing up to its predecessors The House with Chicken Legs and The Girl Who Speaks Bear in the richness of its story weaving and scope of imagination.

Castle Mila is Olia’s family home - a majestic castle passed down in her family history from generation to generation. The castle is as mysterious as it is impressive - with secret rooms, impenetrable domes and hidden passageways that long to be explored - and is the perfect abode for a curious and adventurous protagonist like Olia, who wishes to leave no stone unturned when it comes to seeking out magic and who can’t wait to share it all with her baby sister Rosa once she is old enough. The castle has stood for 500 years, so when a storm threatens, Olia is sure that the castle should be able to withstand it even if it may mean cancelling the special feast planned in the great hall. But wise old Babusya - who is always well-tuned in to the world of magic and spirits - isn’t so sure, feeling that there is something different about the nature of this impending storm.

After the storm passes, part of the top of the castle has partially collapsed down into the great hall, revealing a hidden staircase that leads to one of the castle's domes. The Aurora Dome has always fascinated Olia, believing it be a place of hidden magic. Allured by its potential and confused by Babusya’s mysterious instructions about unlocking the castle’s magic, Olia is soon swept away on an adventure through a magical door in the dome that leads to a whole new land of forbidden magic.

What ensues is a thrilling quest introducing a host of magical characters, as Olia finds true courage within herself and a new conviction in her own agency to pursue what she believes is important. The cast of characters is delightful, and pleasingly there is even an appearance from a particular house that is fondly familiar to fans of Sophie’s previous books. An interesting and topical theme emerges gently through the story, as Olia explores the concept of how to deal with the shameful actions of ancestors from generations before - actions that have caused long-lasting consequences for the individual liberties of a whole group of characters. Should we cut off things of the past and remove all memories of them, wonders Olia, or embrace our history while looking for ways to put things right?


Sophie Anderson masterfully introduces Russian folklore to new readership while exploring themes with true relevance to the modern middle-grade readers - identity, social justice, conviction of belief, what it means to find a home and the role individuals play in make the world a better place for others.


With beautiful illustrations by Saara Sodurlund bringing its magic to life, this is an enchanting and exciting tale is not to be missed.

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If you are already a Tom Palmer fan, you will know to expect from After the War - a touching, concisely told yet never dumbed-down, story of childhood during wartime. If you are new to his books, then prepare to be astounded.  Tom Palmer has a rare talent for making the truth of the past accessible to children without watering down the horrific facts or emotional impact, a skill already demonstrated in his previous books, Armistice Runner, D-Day Dog and Over the Line, but in its best evidence yet here. After the War opens with a foreword explaining the factual basis to this story of the ‘Windermere boys’, 300 refugee children who were temporarily relocated to Cumbria at the end of WWII after being rescued from concentration camps. This is hugely helpful in settling the reader into what to expect of the story ahead and flagging up the timely theme of treatment of refugees. The story begins in the summer of 1945, as a plane descends into the Yorkshire hills, carrying Jewish child survivors of the Holocaust.  Yossi, 15, is traumatized, anxious, untrusting, always alert to danger. Through flashbacks, we gradually learn Yossi’s story, from the day war suddenly arrived in his sleepy Polish village in the form of a German bomber, through being interned in a Jewish ghetto and being forced to work in a clothing factory to his eventual destination, the concentration camps of Auschwitz and Theresienstadt.  Balancing between the flashbacks to the horrors of the past and the hope of the future is the present, where the boys gradually settle into Yorkshire life, a place where they learn food is not scarce, uniformed men can have kind eyes, and boys can ride bicycles again. 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Buy Online Belonging Street Mandy Coe f you are looking for an anthology of uplifting, thought provoking poetry that has a real impact in the Key Stage 2 classroom, then ‘Belonging Street’ is the perfect collection for you. ​ The life affirming ‘You are Here,’ on the first page is a wonderful introduction and sets the positive and optimistic tone for the poems to come with the final line; ‘You are Here! You are Here!’ The book is jam packed with original verse; all of them perfectly written for reading aloud - well suited for both pure enjoyment and also as a base for children’s own poetry within their English lesson. 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