Recommended children's booklists sorted by age or topic

Home > Blog

Author: Melanie

This month the Centre for Literacy in Primary Education (CLPE) released their 5th annual Reflecting Realities Survey of Ethnic Representation within UK Children’s Literature, which identifies and evaluates representation within picturebooks, fiction and non-fiction for ages 3–11. The newly published report can be viewed here and you can read more about the methodology behind the report here. This year’s report is illustrated by Diane Ewen.

CLPE Reflecting Realities 2022 report - summary of findings

The latest summary of findings shows an increase in the number of children’s books published featuring a minority ethnic character from 4% in 2017 to 20% in 2021.

Minority representation in children’s books is up significantly from the 4% reported in the inaugural report in 2017. Furthermore, the percentage of children’s books published featuring a main character from a minority ethnic background has increased from 1% to 9% in the same time period. While the increase is cause for celebration – it still needs to be considered in the context that 33.9% of children of primary school age in England are from a minority ethnic background, and there is much work still to do.

The survey also indicates that minority representation in Fiction remains low and lags significantly behind increases in Picturebooks and Non-Fiction. Of the three text types reviewed, Fiction is the one that has seen the slowest and smallest incremental year-on-year change with 11% of Fiction books published featuring minority ethnic characters. Given that the large majority of non-fiction books for the 3-11 age range are illustrated, this disparity can perhaps be attributed to an illustrated work being both easier to identify and to ensure presence than in Fiction.

 
 
 the quality of presence and portrayals has varied quite significantly within and across publishing houses, and gives examples of a handful of exemplary titles in terms of authentic character portrayal. The report indicates a desire to strive for quality, balance and consistency across the publishing industry.The report writers also comment that the quality of presence and portrayals has varied quite significantly within and across publishing houses, and gives examples of a handful of exemplary titles in terms of authentic character portrayal. The report indicates a desire to strive for quality, balance and consistency across the publishing industry.

Recognising the importance of teachers, booksellers, librarians, book champions and organisations that are doing excellent work on the ground on a day-to-day basis, the report writers offer a checklist of key questions for those involved in children’s publishing, curation and book selection:

Determining Meaningful Presence

  • Do the characters of colour featured in the books we publish/stock reflect the UK population and the world at large, not as a tick box exercise but as a meaningful and accurate representation of the interconnected, diverse society within which our children are growing up?

  • Are characters of colour central to a broad range of narratives?

  • Do characters of colour exist across a range of genres and within both fiction and non-fiction?

  • Are there a variation and balance of themes explored in the titles in which characters of colour feature?

  • Have you been attentive to the position that a character of colour holds in the narrative? What position does the character hold? What is the dynamic within the cast? What is the extent of their agency and contribution to the plot?

  • Have careful research and consideration been exercised to ensure respectful, nuanced and layered portrayals of characters of colour?

  • Are characters of colour well developed and authentically portrayed? How effectively are their being and personality conveyed?

Ensuring Breadth and Balance

  • Are readers able to encounter varied portrayals of characters of colour, depicted with a range of personalities and represented as experiencing a full spectrum of emotions in the books you produce/ stock?

  • Is the content of our titles balanced, allowing for cultural specificity without reducing characterisations to derogatory stereotypes or one-dimensional shorthand?

  • Have we assessed the balance of our output/ stock to ensure that characters of colour are not predominantly defined by their struggle, suffering, exceptionalism or ‘otherness?

Valuing the Creatives

  • Is there a sustained investment in both established and new authors from a range of backgrounds who are able to paint characters and worlds with the integrity that the subject matter deserves? Does your output/ stock reflect this diversity of talent?

There is still some way to go before UK children’s books more accurately reflect the reality of the school population of England, but the speed of change serves to reinforce the benefit and tangible impact of the survey and a wide range of other initiatives across the publishing, charity and literature sectors. It is the intention of CLPE and their partners to continue to publish this survey, at least for the next five years.

CEO of CLPE Louise Johns-Shepherd, says:

‘We are delighted to see the upward trend in numbers, we are determined that it won’t be a ‘trend’ that disappears or that dips. We will continue to do this work and to support ongoing dialogue within the publishing industry because we believe in the power of children’s literature to change lives and we believe inclusive representative casts of characters in children’s literature make books better.’

To view the full version of CLPE’s Reflecting Realities Survey of Ethnic Representation within UK Children’s Literature click here.

If you are interested in expanding your stock of diverse book titles, why not browse our diversity hub featuring booklists covering the primary age range?

diverse and inclusive booksWhere next? > Visit our Reading for Pleasure Hub

> Browse our Topic Booklists

> Go to our Diversity Booklists

> View our printable year group booklists.

> See our Books of the Month.

Here at BooksForTopics, we believe in the power of sharing stories and we’re delighted to promote National-Share-A-Story-Month ,organised by the Federation of Children’s Book Groups. Across the country, Federation book groups and individuals run a whole host of events and provide resources and opportunities to celebrate the power of storytelling and story sharing.

We often get asked for recommendations of books that are particularly good for sharing aloud. In this blog, BooksForTopics director Alison Leach discusses story-sharing in the classroom and shares how our team of experts at BooksForTopics identify the best books to recommend as classroom read-alouds.

 

What Makes a Good Classroom Read-Aloud?

Alison Leach, Founder of BooksFortopics

Some books are renowned for having that special magic that makes readers want to pick them up and browse. A catchy title, an intriguing cover or appealing illustrations can quickly entice children and draw them into the pages of a book. Teachers have told us that they are drawn to our Reading for Pleasure collections for this reason, knowing that children love to pick up and browse the curated selections for their year groups.

But sometimes what teachers ask us for is a book with a different quality – one whose magic works not as an independent read but as a class ‘read-aloud’. They ask for the kind of story in which the sound of the words and quality of the storytelling are the factors that draw the readers in. There’s no joy in the classroom quite like the joy of hearing children ask for ‘just one more chapter’ – even when it’s really time to go out to play or to get ready for home time. When I was teaching, my absolute favourite part of the day was storytime; I loved doing the voices, leaving the cliffhangers hanging, drawing out the humour and – most of all – looking up at the sea of transfixed faces hanging on to my every word.

When we put together our Recommended Storytime Read-Aloud booklists for Upper KS2, Lower KS2, KS1 and EYFS, there is a special type of book that we look to select. Our school-based review panel of teachers and librarians are quick to let us know when a book possesses all the right ingredients to make it a good read-aloud.

Here are five factors that can contribute to making a story good to read out loud:

1. Storytelling that lasts between sittings A good read-aloud hinges on the strength of its storytelling. Is the plot well-structured, with a build-up of tension, the right measure of intrigue, convincing world-building and a pleasing resolution with few surprises along the way?

Storytime Favourites Booklist for Upper KS2

For chapter books, teachers often read instalments of one or two chapters a day, and this works best for class storytimes if there is a strong mission or purpose driving the plot, so that listeners will easily pick up on the action when they return to each day’s instalment. We love the strong action-driven plot of Cressida Cowell’s How to Train Your Dragon, the personal family mission in The Super Miraculous Journey of Freddie Yates or the race-against-time wildlife rescue quest in When the Mountains Roared.

For younger readers, unified story collections work well, so that listeners can visit a familiar character or setting in each self-contained chapter without having to hold plot elements in mind from previous days. We suggest Alf Proysen’s Mrs Pepperpot stories, Isla Fisher’s Marge in Charge or Dick King Smith’s Sophie’s Adventures series for this.

2. A healthy dose of laughter

Most teachers can recall storytime favourites that have led to peals of laughter from their listeners, and there’s nothing that unifies a class quite like a shared bookish in-joke.

Research has shown that people who laugh more are prone to being healthier, less affected by stress or depression and have better immunity – so it follows that providing opportunities to laugh as a class really is beneficial to children and adults alike.

Among your storytime repertoire, do you have books that provide a much-needed giggle at the end of the day? For upper KS2, we suggest Llama Out Loud or The Boy Who Made Everyone Laugh (which was recently voted Best Classroom Read-Aloud in our Teachers’ Favourites award) or for lower KS2 we love Sam Copeland’s Charlie Changes Into a Chicken. For giggles in the youngest year groups, we recommend Octopants or the super bright and fun Veg Patch Party.

3. Something to think about Stories can serve as a springboard to delve into more complex topics, such as bullying, mental health, climate change or grief. Many teachers like to use the opportunity of storytime to provide a safe environment to discuss difficult topics. This may not be appropriate for every story selected to read aloud to a class, but balancing the selection across the year in order to sometimes provide stories exploring tricky topics can provoke deep thought and lead to rich and meaningful discussions. The Last Bear or The Song of the Dolphin Boy are popular choices for exploring climate change with KS2, while Race to the Frozen North or Amari and the Night Brothers can lead to discussions about race, civil rights and social inequality.

 
 
 

4. The rich language of storytelling

Many of us love illustrations in stories and books with a strong visual element often make great independent reads, 1-1 storytimes or class study texts – where children can see the pictures close-up. But for a whole class read-aloud, the tricky logistics of enabling all children to see the illustrations well mean that the books that work best are those with a story that unfolds through text. The best read-alouds are told through high quality and age-appropriate language that paints a strong picture in the mind of the listener. The books on our Storytime Read Aloud booklists have been selected with this in mind.

We love Nizrana Farook’s evocative descriptions of the Sri Lankan setting in The Girl Who Stole an Elephant, or Peter Brown’s convincing world-building in The Wild Robot. Younger year groups might appreciate the romping rhyme and cheeky wordplay of Poo in the Zoo or the compelling all-join-in storytelling fun of What the Ladybird Heard, which uses a sequence of animal noises to chart an imagined story map through a farmyard.

5. A pinch of peril

Teachers need to make a judgement on how much peril their classes can handle. The safety of a classroom storytime session is a good place to introduce children to a story that is a little bit scarier than the books they might read independently.

 

Many Year 6 classes become quickly hooked on thrillers like Orphans of the Tide, Room 13 or Jennifer Killick’s wildly popular Crater Lake (just don’t read this one on your Year 6 residential if you want the children to go to sleep!). For younger children, animals are often the vehicle for delivering a dose of danger followed by a safe resolution – try Charlotte’s Web or the Animals of Farthing Wood for lower KS2, and Harry the Poisonous Centipede or Martin’s Mice with KS1.

Providing a balance across the year is the key to keeping storytimes fresh and enjoyable, and as teachers and librarians get to know their classes well they can make a judgement call on how to hone their choices.

All of the texts suggested in this blog post are part of our Storytime Read-Aloud booklists, which can be viewed here and are now all available to purchase as full packs through Peters.

 

Where next?

> Visit our Storytime favourites booklist. > Visit our Reading for Pleasure Hub

> Browse our Topic Booklists

> View our printable year group booklists.

> See our Books of the Month.

BooksforTopics Reading for Pleasure Recommendations

 
Book Title: The Polka Dot Shop

Author: Laurel Remington

Publisher: Chicken House

Publication Date: July 2018

Most Suitable For: Years 5-6+

The Polka Dot Shop was for me a very enjoyable read, exploring themes of friendship, family, mental health and valuing entrepreneurialism among young people.

13-year-old Andy is the only pupil in her school who is not keen on the new no-uniform policy. While her classmates talk endlessly about fashion and look forward to weekend shopping sprees, Andy has to wear pre-loved clothes that come from her mum’s run-down vintage boutique.

The chasm between Andy and her mum widens, as Andy grows increasingly frustrated by the tatty second hand clothes she owns but does not wish to hurt her mum’s feelings. At the same time, Andy’s mum seems increasingly distant and the boutique appears to be struggling more than ever.

One day, Andy finds a bag of high quality designer clothes at the back of the shop and suddenly she spots an appealing outfit and begins to see a renewed potential in the pre-used fashion business. But in order for her plans to come to fruition, Andy will need a little help from her friends, a dose of business acumen and huge amounts of determination to find a way to transform the boutique and keep everyone happy along the way. Andy and her mum also need to find a way to bridge their growing divide by beginning to see things from each other’s perspectives, which is not an easy journey for either of them.

I really enjoyed the way that young entrepreneurialism was presented so positively in this story. Despite being told time and time again that she is “only 13”, Andy finds a way to bring a new lease of life to a dying business and transforms it using her own creative flair. She makes mistakes along the way and learns from them, which is a vital part to growing a business, and she wisely seeks advice of other people to make sure her plans succeed. To young readers, stories like this are a huge encouragement to believe in their instincts and pursue their dreams.

There is a lot of warmth in Laurel Remington’s writing and the characters are hugely relatable with realistic relationships portrayed, plus a hint of budding romance. This book is suitable for upper KS2+.

 

Order The Polka Dot Shop online or from your local bookshop or library.

Many thanks to the publisher for kindly sending me a review copy of this book.

——————

BooksforTopics Reading for Pleasure Recommendations

 

Book Title: Boy Underwater

Author: Adam Baron

Illustrator: Benji Davies

Publisher: HarperCollins

Publication Date: June 2018

Most Suitable For: Year 6+

Boy Underwater is brilliantly funny, unexpected and deeply moving. The plot is likely to bring both tears of laughter and of sadness, and also had me gasping out loud in places too. The book has been awarded the sought-after title of Waterstone’s Children’s Book of the Month for June 2018 and I’m recommending it for Y6+.

Cymbeline and his classmates are ready for their turn to start swimming lessons and most of the pupils are really excited to dive in. But Cymbeline has never been swimming before and the more he thinks about it the more he realises that his mum has actively avoided going to the swimming pool or the seaside. Not wanting to lose face in front of his classmates (to whom he MAY have given the impression that he is a champion swimmer), Cymbeline googles front crawl, borrows Dad’s old swimming shorts and has a practice in the bath. A sound plan, thinks Cymbeline, until he is unexpectedly pushed into the water at the pool and his whole world begins to unravel.

Little does Cymbeline expect that Mum’s reaction to what happens at the pool might lead to her being isolated in a special hospital, nor does he anticipate the family secrets that begin to rise to the surface. With the help of old and new friends, Cymbeline races against time to uncover the truth about his family and to get Mum back home.

Cymbeline’s narrative voice carries a mixture of cheeky humour, sincerity and a level of naivety that makes him hugely likeable and has the reader rooting for him from the start. Although Cymbeline is just nine, the book is most suitable for readers a few years older as it is tremendously sad in parts (as always I suggest reading it first to assess suitability based on your knowledge of the pupils in your classroom) and the narrative touches on some difficult topics including mental health, domestic abuse and family separations. A major theme running through the book is the impact of adults lying to children and this aspect of the story could lead into some really interesting discussions about what sort of information is appropriate to keep secret from loved ones.

Adam Baron has masterfully created the perfect blend of humour and pathos, and (without wanting to give away any spoilers) the twists and turns in the plot are simply brilliant and I never predicted the ending. This is a stunning and entertaining narrative that leaves an impact long after you close its pages.

Look out for a guest blog post by Adam Baron early next week.

——————

Order Boy Underwater online or from your local bookshop or library.

Many thanks to the publisher for kindly sending me a review copy of this book.

 

Book Title: Defenders Series
Author: Tom Palmer
Illustrator: David Shephard
Publisher: Barrington Stoke
Date: 2017

In the ‘Defenders’ series, best-selling author Tom Palmer brings together his passions for football and history in three haunting stories aimed for children aged 8-12. Published by Barrington Stoke, these books are ‘super-readable’ due to their accessible layout including a dyslexia-friendly font and tinted paper.

The Defenders stories follow the adventures of a boy called Seth, who lives in Halifax, loves football and is coming to terms with his mum facing a very serious illness. Seth has the unusual ability to see ‘shadows’ of the past; ghost-like appearances of people from different points in history. Although the three stories do follow through in sequence, they can also be read separately. Here we review all three books in the Defenders series.

Defenders: Killing Ground

In the first story in the series, Seth’s home town of Halifax experiences the appearance of strange scorched earth circles popping up in different places, from the wild moors to the beloved football stadium. Seth, who can see shadows of the past, discovers that dark and supernatural forces are at play when he witnesses a horrifying Viking massacre in the stadium itself. Together with his friend Nadiya, it is up to Seth to put an end to the violence and save the town.

This book has a really exciting storyline and is quite gruesome in parts, not shying away from the violent nature of the Viking invaders. The book would hold a particularly high appeal to readers who like action stories or football.

Order Defenders: Killing Ground online or from your local bookshop or library.

This book features on our Vikings booklist.

Defenders: Dark Arena

The second book in the series sees Seth coming face to face with shadows from Roman Britain. Seth’s mum needs to stay in hospital to undergo important treatment so Seth and his friend Nadiya visit London together. Football-lover Seth is interested in the new stadium being built by a Premier League football club, but it soon becomes apparent that something untoward is happening and the lives of the workers there are in danger. As Seth encounters the shadows of slaves from Roman times, he and Nadiya are forced to confront their own fears as horrible injustices in the present day mirror atrocities from the past. This story brings a really interesting dimension for pupils learning about Roman Britain and the way the Romans treated their slaves. This is a fast-paced story with a fun history quiz at the end of the book.

Order Defenders: Dark Arena online or from your local bookshop or library.

This book features on our Romans booklist.

 

Defenders: Pitch Invasion

By now Seth and Nadiya are becoming experts in solving mysteries from the past. In the third and final book, Seth takes a holiday in Cornwall with his Mum while they wait for news about whether her cancer treatment has worked. The visions of the past that Seth encounters in Cornwall are as gruesome as ever, this time including severed heads raised high on spikes surrounding an Iron Age hill fort. With a little help from Nadiya, Seth discovers that the heads were a means of keeping intruders out of the hill fort in Iron Age times. At the same time, Seth meets two young refugees from Aleppo who share his love of football. As past and present collide, Seth must face the horrible shadows of the past while helping his two friends to feel welcomed into their new home.

Order Defenders: Pitch Invasion online or from your local bookshop or library.

This book features on our Stone Age to Iron Age booklist.

In the Defenders series, Tom Palmer has cleverly achieved a means of helping readers to engage with history in a relatable and accessible way. The stories are exciting and filled with topical issues such as supporting a parent with a critical illness, welcoming refugees and modern slavery. There are some fairly gruesome parts in these narratives, such as the Viking massacre which is not for the faint hearted but does tackle the violent reality of the Viking invasion head on. In each story, historical events are echoed down the ages as the same social themes that shaped civilisations in the past repeat themselves in modern times. I recommend Tom Palmer’s books as an essential addition to school libraries.

Tom Palmer also has some supporting materials on his website and offers school visits. To find out more visit http://tompalmer.co.uk/defenders/.

Look out for our special World Cup themed guest blog post by Tom Palmer later this week!

————————–

Many thanks to the publisher for kindly sending me review copies of these books.

Subscribe to our newsletter

Your Review

Stone Girl Bone Girl

review

Year group(s) the book is most suitable for:

Year group(s) the book is most suitable for:

Does the book contain anything that teachers would wish to know about before recommending in class (strong language, sensitive topics etc.)?

Does the book contain anything that teachers would wish to know about before recommending in class (strong language, sensitive topics etc.)?

Would you recommend the book for use in primary schools?

yes

Curriculum links (if relevant)

Curriculum links (if relevant)

Any other comments

Any other comments