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Ian Eagleton Books

A Polari-Prize-winning author presents an unforgettable story about a boy facing up to bullying – and his own truths. James loves dancing, poetry, and Mariah Carey (not in that order, though, because Mariah would obviously be first!).

His teacher, Mr Hamilton, is getting married to his boyfriend and it seems that James will be part of a surprise choir performance at the wedding.

But James’s father seems uncomfortable about the plan, and a lot of other things – like any mention of Mr Hamilton, and James’s dancing, and how James talks about his new friend Joel. Meanwhile, a different boy has been harassing James at school and calling him gay, and it’s getting worse every day.

James can find relief with his beloved Nan, she’s been having worrying falls, and James can’t tell anyone, or she might be sent to a faraway care home. The secrets are building up, and James is starting to lose his characteristic spark.

Can he find the strength to let the truth out?

A joyful, raw and timely novel about family, friends, enemies, and being true to who you really are.

Perfect for fans of Alex Gino, A.M. Dassu, and The Boy At the Back of the Class.

Ian Eagleton is the author of Nen and the Lonely Fisherman, which was shortlisted for The Bookseller’s Book Of The Year – Discovery Category 2022

This is a story that depicts one aspect of childhood anxiety in such a gentle way – weaving a variety of themes, including shyness, family and even an introduction to Shakespeare into one tale. The story is engaging and describes a range of emotions in an accessible and intelligent way.

The story centres on Violet, a shy child riddled with self-doubt and confidence issues when she is cast as the main lead in a Shakespeare production. Her family, including her nan and uncles, try to help Violet’s self-esteem. The story has an excellent approach to explaining the physical and emotional feelings related to anxiety, but more importantly, how to overcome them. Eagleton also embraces diversity in Violet’s support network of her family.

Clara Anganuzzi enhances the story with wonderful illustrations that perfectly portray the emotions at play. The illustrations feature intricate details in places, including photographs on the wall in the background of scenes. All these details add to the rich family diversity explored in the story.

I grew up in the Disney generation when the story of The Little Mermaid captured my heart. Many years later I visited Copenhagen to see the famous Little Mermaid statue myself – a bronze statue by Edvard Eriksen, depicting an anguished mermaid becoming human, her lonely expression pained with the choice of being stuck between the two worlds of conformity and desire. It’s an anguish that most humans tap into at some point in their life, and this is what has given the story such a long-standing sense of fascination over the years. This month, I revisited the story anew, via Nen and the Lonely Fishermen. We’ve seen a run of fairytale retellings in picturebooks in recent years, but Ian Eagleton and James Mayhew’s modern adaptation of The Little Mermaid is highly original in its rendering of that original tale of anguish, identity and the pursuit of dreams…

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